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AceDSE · Paper · 2026.07

英語文學
Literature in English

Unseen Appreciation and Critical Essay Test

minutes90 minutes
marks32 marks
Attempted componentEnglish
Candidate name
Date

Sample-paper basis

sample appreciation papers built around unseen poetry/prose and sustained literary essays

Scope of this paper

The unseen texts are original. The essay choices avoid year-specific set-text assumptions; SBA remains separate.

Candidate instructions

  1. Answer Questions 1 and 2, then ONE essay in Question 3.
  2. Support interpretation with precise reference to language and form.
  3. Plot summary without analysis receives little credit.

Part A — Unseen poetry

12 marks

Night Lift (original)

Between the twelfth floor and home
the lift forgets its number.
Its cables clear their throats;
the red display blinks, then listens.

I hold my breath with the groceries.
An orange rolls against my shoe
as if the earth has tilted.
When the doors divide at last,

the corridor is exactly where it was—
except the brass button carries
a small moon
no window can explain.
1(a)
How does the speaker's description of the lift make an ordinary journey feel uncertain? Discuss at least two poetic methods.
[6 marks]
1(b)
Explore the significance of the final image, 'a small moon / no window can explain'.
[6 marks]

Part B — Unseen prose

8 marks

The Workshop (original extract)

Mara unlocked the door with the key she had denied keeping. Dust had drawn pale borders around every missing tool. The drawers still carried her grandfather's handwriting—HINGES, SPRINGS, THINGS WORTH SAVING—as if language could keep metal from rusting.

She did not switch on the main light. At the bench, a cup held three brushes hardened into one. The wall clock had stopped at 4:17, though nobody had told it the hour of the ambulance. Mara placed the auction notice face down. Only then did she see the toy boat beneath it, one side newly sanded.

2
How does the writer use point of view, physical detail and withheld information to present Mara's return to the workshop?
[8 marks]

Part C — Critical essay

12 marks

Answer ONE option with reference to at least two studied works.

Option A

3A
'A literary setting is never merely a background; it places pressure on every choice a character makes.' Discuss this view with reference to at least two works you have studied.
[12 marks]

Option B

3B
Compare how at least two writers make silence communicate more than speech. You may consider gaps, pauses, omissions, stage action, narration or poetic form.
[12 marks]